CONTRACT: Claims that sculptor was deceived into accepting flat fees rather than royalties for horse figurine masters time-barred, not tolled by discovery, fraudulent concealment doctrines… bailment claim dismissed for failure to state claim… Christensen.
Phyllis Driscoll began sculpting figurines in 1996 for Kris & Ray Basta’s Singing Tree Farms. Singing Tree and Big Sky Carvers LLP merged in 1/00 to form Big Sky Carvers Inc. In early 2000, Kris Basta approached Driscoll about a new project that BSCI had with Montana Silversmiths. Driscoll agreed to create a horse sculpture for a flat fee. Basta told her that MSS did not pay a royalty. She said, “Montana Silversmiths will never pay a royalty on the horse sculptures. Don’t even ask because they will never pay a royalty.” Driscoll was accustomed to a royalty arrangement and said she would prefer a royalty rather than a flat fee. She asked Basta why MSS would not pay a royalty. Basta replied, “That’s just the kind of company Montana Silversmiths is.” In 4/00 Driscoll again asked if she could earn a royalty for the horse sculpt and Basta said, “No, this company will never pay a royalty, they just won’t, it’s Montana Silversmiths, they just will not pay a royalty.” Basta and other BSCI reps later repeated to Driscoll and her husband that “MSS does not pay royalties” and similar statements. Basta did not inform Driscoll that BSCI had entered into an agreement with MSS as of 1/00 in which BSCI agreed to provide services to develop a cowboy giftware line in exchange for an 8.5% royalty. This resulted in BSCI earning 8.5% on the sale of each of Driscoll’s horse sculpts. Each time Driscoll presented a horse sculpture to BSCI she was paid a flat fee and entered into a “Perpetual Grant of Reproduction Rights.” She understood that the rights she transferred to BSCI would be assigned to MSS as reflected in the bottom of each PGRR. Each PGRR provided: “Artists have been compensated in full for the Artist’s involvement in the Master and such Master shall not be, now or ever, subject to any royalty payments.”
In 5/11 Driscoll learned that MSS paid royalties to artists. She sued Defendants in 4/13 for fraud, constructive fraud, deceit, breach of the implied covenant, unjust enrichment, breach of contract/license, voidable title, bailment, copyright infringement, Lanham Act claims, and declaratory judgment. Defendants request summary judgment based on statute of limitations. Driscoll’s Statement of Disputed Facts, stretching over 53 pages, gives the erroneous impression that the material facts are hotly disputed. In reality, the relevant material facts for this motion are not in dispute and Driscoll’s Statement of Disputed Facts frequently exaggerates and unnecessarily complicates a straightforward set of undisputed facts.
It is undisputed that all of Driscoll’s claims are subject at most to an 8-year statute (2 years for fraud and other claims to 8 years for breach of contract or license). It is also undisputed that all alleged misrepresentations as to MSS’s royalty policy were between 2000 and 2004. Thus for Driscoll’s claims to be within any applicable period, tolling must be applicable.
Driscoll contends that the discovery rule should toll the periods on all of her claims until 2011 when she learned that MSS paid a royalty to artists for sculpts. “The discovery rule provides that a limitations period does not begin until the party discovers, or in the exercise of reasonable diligence, would have discovered, the facts constituting the claim.” Draggin Y (Mont. 2013). “However, this rule only applies when the facts constituting the claim are concealed, self concealing, or when the defendant has acted to prevent the injured party from discovering the injury or cause.” Id. The facts constituting Driscoll’s claims are not by their nature concealed or self-concealing. Basta represented that MSS did not pay a royalty, but Driscoll concedes that she never asked MSS whether it did or whether BSCI would receive a royalty for services it provided to MSS. (She provides no evidence that she would have been legally entitled to this information about the terms of the contractual relationship to which she was not a party.) Nor is there evidence that MSS would have concealed its royalty policy had she asked. In the end, Driscoll did not learn that MSS paid a royalty by uncovering some secret; she learned it through conversations with another artist and an MSS representative. It cannot be said that the truth about Basta’s representations was by its nature concealed or self-concealing. All she had to do was make a phone call to MSS and ask a simple question; “Does MSS ever pay a royalty?” It is not as if MSS was some shadowy company to which she had no access. She admits that she had its contact information all along. Nor did Defendants act to prevent her from discovering the facts underlying her claim. The best evidence she offers is that Basta told her, “Don’t even ask because they will never pay a royalty.” This is insufficient to toll the limitations period. She could still determine whether MSS paid a royalty simply by asking MSS. Basta did not tell her that MSS could not be contacted or attempt to obscure how it could be contacted. She had all the information necessary to discover the facts underlying her claim and the discovery rule does not apply. Nor does it matter that Basta repeated these misrepresentations. Driscoll had a duty to pursue discovery of the facts through reasonable diligence. Draggin Y; Osterman (Mont. 2003). Reasonable diligence in this arm’s-length business deal required Driscoll to go to the source and ask MSS whether it paid a royalty. Thus the statute was not tolled.
Driscoll also argues that the period is tolled by fraudulent concealment. “Fraudulent concealment consists of `the employment of artifice planned to prevent inquiry or escape investigation, and mislead or hinder acquisition of information disclosing a cause of action.” Cartwright (Mont. 1996); EW(Mont. 1988). But unlike Cartwright and other fraudulent concealment cases, there is no professional-client or similar relationship by which Driscoll was entitled to rely on the information about MSS’s royalty policy given to her by Basta. This was an arm’s-length transaction and Basta’s representations pertained to the royalty policy of some other entity. Driscoll was not entitled to rely on it in the same way an insured may rely on assurances from his agent about a confusing insurance policy, Cartwright, or a client is entitled to rely on assurances from his accountant about a complicated tax arrangement, Draggin Y. Driscoll knew from the beginning that she was dissatisfied with the arrangement. Consistent with most of her prior arrangements, she wanted a royalty and was not getting one. These circumstances were ample to trigger inquiry notice about Basta’s representations. Thus fraudulent concealment is inapplicable. Driscoll also contends that Defendants’ mere silence as to their royalty arrangement is sufficient to toll the statute. This theory is based on her unsupported allegation that a fiduciary relationship arose as a result of the “bailment relationship between Driscoll, as the bailor, and BSCI and MSS as the bailees.” She offers no evidence of any bailment relationship. In fact, the evidence is entirely to the contrary. She executed 25 nearly identical PGRR’s each time she presented a new sculpture to BSCI. The PGRRs assigned to BSCI “a perpetual exclusive right to … reproduce, manufacture, distribute, market, sub-license, reassign or otherwise use in any form thereof, the original piece of art,” and Driscoll was “compensated in full for [her] involvement in the Master and such Master shall not be, now or ever, subject to any royalty payments.” The contract also required her to “disclaim all rights of ownership to the Master, including ownership of copyrights, trademarks or other intellectual property associated with the Master.” Accordingly, Defendants owed no fiduciary duty such that mere silence could constitute fraudulent concealment.
Driscoll’s claim for bailment is also dismissed for failure to state a claim. Bailment generally requires one to return in proper condition the personal property that was “deposited” with them, or pay for any damages from wrongful use. MCA 70-6-201-214. The depositary must, “on demand,” return the property to the person who deposited it. There is no duty to deliver the property without a demand. §212; Gates (Mont. 1926); Viers (Mont. 1926). Driscoll’s complaint fails to allege that a demand was made by her or a refusal by any of the Defendants. Citing dicta from Viers, she contends that this omission is excused because she has alleged that the property was wrongfully acquired. However, the dicta is contrary to the requirement established by statute. Further, the PGRRs belie her complaint allegation that “her parting was temporary.” They granted a “perpetual exclusive” right of reproduction to BSCI, and Driscoll and her heirs “disclaim all rights of ownership to the Master.”
All claims dismissed with prejudice; the case is closed.
Driscoll v. Singing Tree Farms et al, 42 MFR 246, 2/11/15.
Julie McGarry (McGarry Law Firm), Bozeman, for Driscoll; Robert Lukes (Garlington, Lohn & Robinson), Missoula, for BSCI, Pierce, and Basta; Jean Faure (Faure Holden), Great Falls, and (formerly) Shane Coleman (Holland & Hart), Billings, for MSS and Group Montana.